2024年4月21日发(作者：陆甲)

HTS 1.5 – TILT AND SHIFT ADAPTER

DATASHEET

1

The revolutionary HTS 1.5 is a tilt and shift adapter that can

provide a pivotal step-up for many Hasselblad photographers.

Designed for the HCD24mm, HCD28mm, HC35mm, HC50mm,

HC80mm and the HC100mm lenses it, in effect, adds six

different “tilt and shift lenses” to the range. With the extension

tubes, H13, H26 or H52, the HTS 1.5 can also be used for

close-up work. Especially in combination with the Macro

Adapter that improves the close range performance with the

HC 50-II lens.

This simple device solves not only technical challenges, but

also provides exciting opportunities for creative solutions

as well. The combination of well-known optical principles

combined with the latest in digital image control, provides a

powerful package that will expand photographic expression to

new levels.

“Shift” is the moving of a lens, up and down or to the sides, from

its central position while retaining its perpendicular orientation to

the film plane. Simply put, the adapter expands the diameter of

the projected image circle at the film plane. This allows for much

greater freedom in “placing” the image area within the now much

broader circle before vignetting takes effect. And most importantly,

relation to the subject. So if verticals, for example, are acceptable

in the viewfinder, they will remain so whatever the amount of shift to

include the “hidden” parts of the image. Simple but ingenious.

photo graphers to find a compromise, between the “illness” and

the “cure”. Hasselblad has now eradicated this dilemma.

With the introduction of Digital Lens Corrections where images

processed in Phocus are automatically corrected regardless of HTS

adapter setting (H cameras only), significant improvements strike

the viewer immediately. All calculations and adjustments take

the adapter. The sharpness at the edge of the frame, despite the

fact that the lens is pushed to its limits, remains stunning.

On the creative front, it has long been standard practice for

all this happens without moving the orientation of the camera in

place in the background monitored and governed by sensors in

“Tilt” differs from shift in that the normal perpendicular

photo graphers to break the rules in order to produce images

orientation of the lens to the film plane is changed resulting in a

that show something just a little different. Large-format users

change in the plane of focus. This means that at any given aperture/

focus setting, the depth of field in the subject will not remain as

simply the space between two measured points from the camera

as is normally the case, but increased or decreased. This amount is

user controlled. Once again, simple but ingenious.

By combining these two laws of physics, the doors of creative

solutions are thrown wide open. The list of situations that could

were well-acquainted with the imaginative possibilities that arose

from making the “wrong” camera or lens movements. And now

Hasselblad users can enjoy this stimulating freedom as well.

Fascinating and captiva ting images are easily conjured up and

controlled with just a few slight movements. The combination

of large sensors and razor sharp lenses – and now tilt and shift

possibilities – Hasselblad has brought some of the creative aspect

advantageously exploit tilt and shift is probably longer than it

of former large-format world to the digital medium format.

might first appear to be. For some professional photographers it

Take a look at this revolutionary accessory at your nearest

could rapidly become an essential item for all work.

But the story doesn’t end there. Large-format users have been

Hasselblad dealer. Try it yourself out to see how this new product

could rapidly become an essential part of your photography

using tilt and shift for many years, partly because they could,

toolkit. The powerful combination of tilt, shift and Digital Lens

but partly because they had to. Some photographic solutions

Corrections can bring new perspectives to your photographic

unfortunately, have also created problems, lens edge performance,

for example, being one of them. The dilemma that arose forced

vision and provide a marked change in both the technical and

creative aspects of your work.

HTS 1.5 – TILT AND SHIFT ADAPTER

DATASHEET

2

Front view

Rear view

2024年4月21日发(作者：陆甲)

HTS 1.5 – TILT AND SHIFT ADAPTER

DATASHEET

1

The revolutionary HTS 1.5 is a tilt and shift adapter that can

provide a pivotal step-up for many Hasselblad photographers.

Designed for the HCD24mm, HCD28mm, HC35mm, HC50mm,

HC80mm and the HC100mm lenses it, in effect, adds six

different “tilt and shift lenses” to the range. With the extension

tubes, H13, H26 or H52, the HTS 1.5 can also be used for

close-up work. Especially in combination with the Macro

Adapter that improves the close range performance with the

HC 50-II lens.

This simple device solves not only technical challenges, but

also provides exciting opportunities for creative solutions

as well. The combination of well-known optical principles

combined with the latest in digital image control, provides a

powerful package that will expand photographic expression to

new levels.

“Shift” is the moving of a lens, up and down or to the sides, from

its central position while retaining its perpendicular orientation to

the film plane. Simply put, the adapter expands the diameter of

the projected image circle at the film plane. This allows for much

greater freedom in “placing” the image area within the now much

broader circle before vignetting takes effect. And most importantly,

relation to the subject. So if verticals, for example, are acceptable

in the viewfinder, they will remain so whatever the amount of shift to

include the “hidden” parts of the image. Simple but ingenious.

photo graphers to find a compromise, between the “illness” and

the “cure”. Hasselblad has now eradicated this dilemma.

With the introduction of Digital Lens Corrections where images

processed in Phocus are automatically corrected regardless of HTS

adapter setting (H cameras only), significant improvements strike

the viewer immediately. All calculations and adjustments take

the adapter. The sharpness at the edge of the frame, despite the

fact that the lens is pushed to its limits, remains stunning.

On the creative front, it has long been standard practice for

all this happens without moving the orientation of the camera in

place in the background monitored and governed by sensors in

“Tilt” differs from shift in that the normal perpendicular

photo graphers to break the rules in order to produce images

orientation of the lens to the film plane is changed resulting in a

that show something just a little different. Large-format users

change in the plane of focus. This means that at any given aperture/

focus setting, the depth of field in the subject will not remain as

simply the space between two measured points from the camera

as is normally the case, but increased or decreased. This amount is

user controlled. Once again, simple but ingenious.

By combining these two laws of physics, the doors of creative

solutions are thrown wide open. The list of situations that could

were well-acquainted with the imaginative possibilities that arose

from making the “wrong” camera or lens movements. And now

Hasselblad users can enjoy this stimulating freedom as well.

Fascinating and captiva ting images are easily conjured up and

controlled with just a few slight movements. The combination

of large sensors and razor sharp lenses – and now tilt and shift

possibilities – Hasselblad has brought some of the creative aspect

advantageously exploit tilt and shift is probably longer than it

of former large-format world to the digital medium format.

might first appear to be. For some professional photographers it

Take a look at this revolutionary accessory at your nearest

could rapidly become an essential item for all work.

But the story doesn’t end there. Large-format users have been

Hasselblad dealer. Try it yourself out to see how this new product

could rapidly become an essential part of your photography

using tilt and shift for many years, partly because they could,

toolkit. The powerful combination of tilt, shift and Digital Lens

but partly because they had to. Some photographic solutions

Corrections can bring new perspectives to your photographic

unfortunately, have also created problems, lens edge performance,

for example, being one of them. The dilemma that arose forced

vision and provide a marked change in both the technical and

creative aspects of your work.

HTS 1.5 – TILT AND SHIFT ADAPTER

DATASHEET

2

Front view

Rear view