KODAK ULTRA MAX 800 电影胶卷说明书-USB迷|专注于互联网分享

2024年6月13日发(作者：匡瑞灵)

KODAK ULTRA MAX 800 Film

TECHNICAL DATA / COLOR PRINT FILM

KODAK ULTRA MAX 800 Film brings picture quality to a

new level by combining the color quality, fine detail, and

picture clarity of lower-speed films with the benefits of

higher speed films. This film delivers extra sharpness and

unsurpassed fine grain (among 800-speed films) for

crisper, clearer pictures—even when enlarged.

KODAKULTRA MAX 800 Film produces consistently

bright, vibrant colors across a wide range of lighting

conditions. It provides accurate skin-tone reproduction for

natural-looking "people pictures."

FEATURESBENEFITS

•ISO 800 speed•Ideal for zoom cameras

•Great pictures in sunlight, low light,

action, and still

•Fewer under-exposed pictures

•2x longer flash range (compared to

Kodak 200-speed film)

•Improved depth of field

•Reduced impact of "camera shake"

•Reduced blur with moving objects

•Excellent film latitude•Maximum versatility allows for

better pictures in more lighting

conditions

•Superior sharpness•Improved picture detail

•Crisper pictures

•Fine grain structure•Pictures that are very clear

•Improved enlargement quality

•Outstanding color

reproduction, improved

•Brighter, more vibrant prints

color consistency

•Improved color consistency across

a wider range of picture-taking

situations

•Optimized performance with

KODAK EKTACOLOR EDGE Paper

•Optimized skin tones•Natural skin tones for better

"people pictures"

•Scan ready•High-quality results from digital

output systems

•Photofinishing

compatibility

•Compatibility with KODAK GOLD

Film

•Simplifies workflow

•Fewer makeovers means less waste

DARKROOM RECOMMENDATIONS

Do not use a safelight. Handle unprocessed film in total

darkness.

©Eastman Kodak Company, 2007

December 2007 • E-7024

STORAGE AND HANDLING

Store unexposed film at 21°C (70°F) or lower in the original

sealed package. Always store film (exposed or unexposed

in a cool, dry place. Process film as soon as possible after

exposure.

Because of the high speed of this film, be especially

careful to load and unload the camera in subdued light.

Request visual inspection at airport or other security

x-ray inspection stations. Some x-ray screening equipment

may fog this film.

Protect negatives from strong light, and store them in a

cool, dry place. For more information on storing negatives,

see KODAK Publication No. E-30, Storage and Care of

KODAK Photographic Materials—Before and After

Processing.

EXPOSURE

Film Speed: ISO/DIN 800/30°

Use these speed numbers in the table below with cameras

or meters marked for ISO, ASA, or DIN speeds or exposure

indexes. Do not change the film-speed setting when you

use a filter if your camera has through-the-lens metering.

For critical work, make a series of test exposures.

Daylight

Use the exposures in the table below for average frontlit

subjects from 2 hours after sunrise to 2 hours before

sunset.

Lighting ConditionsShutter

Lens

Speed

Opening

(seconds)

Bright/Hazy Sun on Light Sand or 1/1000f/16

Snow

Bright or Hazy Sun (Distinct 1/1000f/11

Shadows)

Weak, Hazy Sun (Soft Shadows)1/1000f/8

Cloudy Bright (No Shadows)1/1000f/5.6

Heavy Overcast (Open Shade)

†

1/1000f/4

Use f/5.6 for backlit close-up subjects.

†

Subject shaded from the sun but lighted by a large area of sky.

Electronic Flash

Use the appropriate guide number in the table below as a

starting point for your equipment. Select the unit output

closest to the number given by your flash manufacturer.

Then find the guide number for feet or meters.

To determine the lens opening, divide the guide number

by the flash-to-subject distance. If negatives are too dark

(overexposed), use a higher guide number; if they are too

light (underexposed), use a lower number.

Unit Output

(BCPS)

350

500

700

1000

1400

2000

2800

4000

5600

8000

120

140

170

200

240

280

340

400

470

560

Guide Number

Distance in FeetDistance in Meters

100

120

140

170

High-Intensity Discharge

Lamp Type

High Pressure Sodium Vapor

Metal Halide

Mercury Vapor with Phosphor

Mercury Vapor without

Phosphor

KODAK Color

Compensating

Filter(s)

70B + 50C

10R + 20M

20R + 20M

80R

Exposure

Adjustment

+ 3 stops

+ 2/3 stop

+ 1 2/3 stops

Note: Some primary color filters were used in the tables

above to reduce the number of filters and/or to keep the

exposure adjustment to a minimum. Red filters were

substituted for equivalent filtration in magenta and yellow.

Blue filters were substituted for equivalent filtration in cyan

and magenta.

Adjustments for Long and Short Exposures

You do not need to make any exposure or filter adjustments

for exposure times of 1/10,000 second to 1 second.

Exposures longer than 1 second may require exposure

compensation and/or filtration. For critical applications

make tests under your conditions.

BCPS = beam candlepower seconds

PROCESSING

Process in KODAK FLEXICOLOR Chemicals for Process

C-41.

Fluorescent and High-Intensity Discharge Lights

For best results without special printing, use the

color-correction filters in the table below as starting points

when you expose these films under fluorescent and

high-intensity discharge lamps. Use exposure times of

1/60 second or longer to avoid the brightness and color

variations that occur during a single alternating-current

cycle.

Actual filtration may vary between lamps and lamp

manufacturers. Depending on the specific source,

additional filtration or special printing may be required to

achieve best results.

Fluorescent Lamp TypeKODAK Color

Compensating

Filter(s)

40R

20C + 30M

40B

30B + 30C

30M

10C + 10M

Exposure

Adjustment

+ 2/3 stop

+ 1 stop

+ 1 1/3 stops

+ 2/3 stop

JUDGING NEGATIVE EXPOSURES

Expose this film properly for optimum results.

You can check the exposure level of the color negative

with a suitable electronic densitometer equipped with a

filter such as the red filter for Status M Densitometry, or a

KODAK WRATTEN Gelatin Filter No. 92. Depending on

the subject and the light source used for exposure, a

normally exposed color negative measured through the

red filter should have the approximate densities listed

below. These densities apply for the recommended light

sources and correct processing of the negative.

Densities:

Area on the Negative:

The KODAK Gray Card (gray

side) receiving the same

illumination as the subject

The lightest step (darkest in

the negative) of a KODAK

Paper Gray Scale receiving the

same illumination as the

subject

Normally lighted forehead of

person with light complexion

Normally lighted forehead of

person with dark complexion

EI 800EI 1600

(Push 1)

0.85 to 1.05

"Daylight"

White

Warm White

Warm White Deluxe

Cool White

Cool White Deluxe

0.75 to 0.95

1.00 to 1.201.20 to 1.40

Note: When you don’t know the type of fluorescent lamps,

try a 10C + 20M filter combination and increase exposure

by 2/3 stop; color rendition may be less than optimum.

0.95 to 1.25

0.75 to 1.10

1.10 to 1.40

0.90 to 1.25

Because of the extreme range in skin color, use these values only as a guide.

For best results, use a KODAK Gray Card (gray side).

2KODAK ULTRA MAX 800 Film • E-7024

PRINTING NEGATIVES

This film is optimized for printing on KODAK EKTACOLOR

EDGE Paper, KODAK ROYAL Digital Color Paper, and

KODAK PROFESSIONAL ENDURA Metallic Paper.

Make color slides and transparencies by printing the

negatives on KODAK PROFESSIONAL ENDURA

Transparency Display Material or KODAK

PROFESSIONAL ENDURA Clear Display Material.

You can scan an image to a file and print digitally to

KODAK EKTACOLOR EDGE Paper, KODAK ROYAL Digital

Color Paper, KODAK PROFESSIONAL ENDURA Papers,

KODAK PROFESSIONAL ENDURA Metallic Paper,

KODAK PROFESSIONAL ENDURA Transparency Display

Material, or KODAK PROFESSIONAL ENDURA Clear

Display Material.

Make black-and-white prints on any of the materials

mentioned above using the recommendations in KODAK

Publication CIS-274, Printing Black-and-White Images

Without KODAK Black-and-White Papers.

RETOUCHING

Negatives on this film can be retouched on the emulsion

side with retouching pencils, after applying a retouching

fluid, such as KODAK Retouching Fluid.

CURVES

Characteristic Curves

4.0

Exposure: Daylight

Densitometry: Status M

Log H ref: -1.74

3.0

2.0

IMAGE STRUCTURE

Print Grain Index

The Print Grain Index number refers to a method of

defining graininess in a print made with diffuse-printing

illumination. It replaces rms granularity and has a different

scale which cannot be compared to rms granularity.

•The method uses a uniform perceptual scale, with a

change of four units equaling a just noticeable difference

in graininess to 90 percent of observers.

•A Print Grain Index rating of 25 on the scale represents

the approximate visual threshold for graininess. A

higher number indicates an increase in the amount of

graininess observed.

•The standardized inspection (print-to-viewer)

distance for all print sizes is 14 inches, the typical

viewing distance for a 4 x 6-inch print.

•In practice, larger prints will likely be viewed from

distances greater than 14 inches, which reduces

apparent graininess.

•Print Grain Index numbers may not represent

graininess observed from more specular printing

illuminants, such as condenser enlargers.

The Print Grain Index number printed in this publication

applies to the following standards:

Negative size:

Print Size:

Magnification:

Print Grain Index:

24 x 36 mm

(135 size standard format)

4 x 6 inches (10.2 x 15.2 cm)

4.4X

1.0

0.0

-4.0

E7024A

-3.0

-2.0-1.00.01.0

LOG EXPOSURE (lux-seconds)

Spectral Sensitivity Curves

4.0

3.0

Effective Exposure: 1/200 sec

Process: C-41

Densitometry: Status M

Density: 0.2>D-min

Yellow-

Forming

Layer

Cyan-

Forming

Layer

2.0

Magenta-

Forming

Layer

1.0

0.0

650700750

WAVELENGTH (nm)

*Sensitivity = reciprocal of exposure (erg/cm ) required

to produce specified density

E7024B

KODAK ULTRA MAX 800 Film • E-70243

KODAK ULTRA MAX 800 Film

Spectral Dye Density Curves

2.5

MORE INFORMATION

Kodak has many publications to assist you with

information on Kodak products, equipment, and materials.

Additional information is available on the Kodak

website.

The following publications are available from Kodak

Customer Service and from dealers who sell Kodak

products, or you can contact Kodak in your country for

more information.

E-30

E-7023

Storage and Care of KODAK Photographic Materials—

Before and After Processing

KODAK ULTRA MAX 400 Film

KODAK GOLD 100 and 200 Films

KODAK PROFESSIONAL ULTRA COLOR Films

KODAK PROFESSIONAL PORTRA Films

KODAK EKTACOLOR EDGE Paper

KODAK ROYAL Digital Color Paper

KODAK PROFESSIONAL ULTRA ENDURA Paper

KODAK PROFESSIONAL PORTRA and SUPRA ENDURA

Papers

KODAK PROFESSIONAL ENDURA Transparency and Clear

Display Materials

Typical densities for a midscale neutral subject

and D-min.

Process: C-41

2.0

1.5

Midscale Neutral

1.0

Minimum Density

0.5

E-7022

E-4035

E-4040

0.0

400

E7024C

E-7020

500600700

WAVELENGTH (nm)

E-7021

E-4020

E-4021

E-4038

NOTICE: The sensitometric curves and data in this

publication represent product tested under the conditions

of exposure and processing specified. They are

representative of production coatings, and therefore do

not apply directly to a particular box or roll of photographic

material. They do not represent standards or specifications

that must be met by Eastman Kodak Company. The

company reserves the right to change and improve

For the latest version of technical support publications for KODAK

Products, visit Kodak on-line at:

If you have questions about KODAK Products, call Kodak.

In the U.S.A.:

1-800-242-2424, Monday–Friday

– (Eastern time)

In Canada:

1-800-465-6325, Monday–Friday

– (Eastern time)

Note: The Kodak materials described in this publication

are available from dealers who supply Kodak products.

You can use other materials, but you may not obtain

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